by Darcie Dennigan
directed by Josh Short
directed by Josh Short
performances
October 30 - November 3
It's a mad, mad, mad, mad world and so is RESCUE! Or, The Fish. This wild new play from The Wilbury Group's Resident Playwright Darcie Dennigan is an absurdist portrait of attitudes toward the global climate crisis. Guests at a "Recycling Party" enact their individual and collective anxieties in a loop that they cannot seem to exit, even in death.
Originally written for The Wilbury Group's resident artists by Darcie Dennigan, and presented by Studio W, the company's new works development program, RESCUE! Or, The Fish received a staged reading as part of the Wilbury Group's annual Festival of New Works in April 2019.
Originally written for The Wilbury Group's resident artists by Darcie Dennigan, and presented by Studio W, the company's new works development program, RESCUE! Or, The Fish received a staged reading as part of the Wilbury Group's annual Festival of New Works in April 2019.
CAST |
CREATIVE TEAMRESCUE!
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About the playwright: Darcie Dennigan
Resident Playwright at The Wilbury Theatre Group since 2018, Darcie Dennigan is interested in poets theatre, otherworldliness, and female absurdists. In the fall of 2018, the Wilbury presented her play The Pleiades as part of their Studio W series, and she is currently publishing and performing monologues from her F-Scale project, which applies the test for fascist personalities to her own life. For the Providence Fringe Fest, she has staged three books of poetry: Monica de la Torre's The Happy End / All Welcome, Kate Colby's I Mean, and her own poem-play Dandelion Farm, which was inspired by Pina Bausch's "1980." An award-winning poet, she is also the author of the novel Slater Orchard (coming in Fall 2019) and a collection of performance texts, The Parking Lot and other feral scenarios. Favorite living playwrights: Adrienne Kennedy and Sibyl Kempson.
Resident Playwright at The Wilbury Theatre Group since 2018, Darcie Dennigan is interested in poets theatre, otherworldliness, and female absurdists. In the fall of 2018, the Wilbury presented her play The Pleiades as part of their Studio W series, and she is currently publishing and performing monologues from her F-Scale project, which applies the test for fascist personalities to her own life. For the Providence Fringe Fest, she has staged three books of poetry: Monica de la Torre's The Happy End / All Welcome, Kate Colby's I Mean, and her own poem-play Dandelion Farm, which was inspired by Pina Bausch's "1980." An award-winning poet, she is also the author of the novel Slater Orchard (coming in Fall 2019) and a collection of performance texts, The Parking Lot and other feral scenarios. Favorite living playwrights: Adrienne Kennedy and Sibyl Kempson.
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